(1) Inditing.--A most unhappy rendering of a word, which, though only used here, must, from the meaning of its derivative (a "pot," or "cauldron"), have something to do with a liquid, and means either to "boil over" or to "bubble up." The LXX. and Vulg. have apparently thought of the bursting out of a fountain: eructavit. Symmachus has, "been set in motion." The "spring," or "fountain," is a common emblem of inspired fancy:--
"Ancient founts of inspiration well through all my fancy yet."
TENNYSON: Locksley Hall.
A good matter.--That is, a theme worthy a poet's song. Luther: "A fine song."
I speak of the things which I have made touching the king.--This rendering follows the LXX., Vulg., and most of the older translations. Perhaps, however, we are to understand Aquila and Symmachus as rendering "my poems;" and undoubtedly the true rendering is, I am speaking: my poem is of a king (not the king, as in Authorised Version).
My tongue . . .--So lofty a theme, so august a subject, inspires him with thoughts that flow freely. The ready or expeditious scribe (LXX. and Vulg., "A scribe writing quickly") was, as we learn from Ezra 7:6, a recognised form of praise for a distinguished member of that body, one of whose functions was to make copies of the Law.
Verse 1. - My heart is inditing a good matter; literally, bubbleth with a good matter - is so full of it that the matter will burst forth. Ispeak of the things which I have made touching the king; or, I utter that which I have composed concerning the king. My tongue is the pen of a ready writer. It is noted that only "psalms of high and solemn import" have formal exordia of this kind, announcing the intention of the writer.
45:1-5 The psalmist's tongue was guided by the Spirit of God, as the pen is by the hand of a ready writer. This psalm is touching the King Jesus, his kingdom and government. It is a shame that this good matter is not more the subject of our discourse. There is more in Christ to engage our love, than there is or can be in any creature. This world and its charms are ready to draw away our hearts from Christ; therefore we are concerned to understand how much more worthy he is of our love. By his word, his promise, his gospel, the good will of God is made known to us, and the good work of God is begun and carried on in us. The psalmist, ver. 3-5, joyfully foretells the progress and success of the Messiah. The arrows of conviction are very terrible in the hearts of sinners, till they are humbled and reconciled; but the arrows of vengeance will be more so to his enemies who refuse to submit. All who have seen his glory and tasted his grace, rejoice to see him, by his word and Spirit, bring enemies and strangers under his dominion.
My heart is inditing a good matter,.... What is valuable and excellent, concerning the excellency of Christ's person, of his kingdom, of his love to the church, and of the church itself; what is pleasant and delightful, comfortable, useful, and profitable: this his heart was inditing; which shows that it was under the sanctifying influences of the Holy Spirit, and denotes the fervour of it; it "boiling up", as the word (x) signifies; being heated by the fire of the divine Spirit, whereby it was hot within him, and caused him to speak with his tongue; and also the abundance that was in it, it "bubbling up" (y), as some choose to render it: from whence this good matter flowed like water out of a fountain;
I speak of the things which I have made touching the King; the King Messiah; the King of the whole world, and of the kings of it, and of the saints in it; over whom he reigns in a spiritual manner, and in righteousness; concerning whom this psalm or poem was composed by David under divine inspiration, and which he here delivers:
my tongue is the pen of a ready writer; or as (z) one; such an one as Ezra was, Ezra 7:6, that writes swiftly and compendiously; suggesting, that as he was; full of matter, he freely communicated it, being moved by the Holy Spirit, who spake by him, and whose word was in his tongue; which made him so ready and expert in this work. The allusion is to scribes and notaries, and such like persons, that are extremely ready and swift in the use of the pen. The word for "pen" is derived either from which signifies "to fly" (a), and from whence is a word used for a "flying fowl"; yet we are not to imagine that here it signifies a pen made of a bird's quill, as now in common use with us: for this did not obtain until many hundred years after David's time. It seems that Isidore of Seville, who lived in the seventh century, is the first person that makes mention of "penna", a "pen", as made of the quill of a bird (b), but rather the pen has its name in Hebrew, if from the above root, from the velocity of it, as in the hand of a ready writer; or rather it may be derived from "to sharpen", in which sense it seems to be used, Ezekiel 21:15; and so a pen has its name from the sharp point of it: for when the ancients wrote, or rather engraved, on stone, brass, lead, and wood, they used a style or pen of iron; see Job 19:24; so when they wrote on tables of wood covered with wax, they used a kind of bodkin made of iron, brass, or bone; See Gill on Habakkuk 2:2; and when upon the rind and leaves of trees, and on papyrus and parchment, they made use of reeds, particularly the Egyptian calamus or reed; and the word here is translated calamus or reed by the Targum, Septuagint, and all the Oriental versions. Now as the Jews had occasion frequently to copy out the book of the law, and other writings of theirs, their scribes, at least some of them, were very expert and dexterous at it; but whether the art of "shorthand" was to any degree in use among them is not certain, as it was in later times among the Romans, when they used marks, signs, and abbreviations, which seems to have laid the foundation of the above art, and had its rise, as is said, from Cicero himself, though some ascribe it to Mecaenas (c): and in Martial's time it was brought to such perfection, that, according to him, the hand could write swifter than a man could speak (d).
(x) "ebullit", Junius & Tremellius, Piscator; so Ainsworth. (y) "Eructavit", V. L. Pagninus, Montanus, Musculus, Munster. (z) So the Targum, Tigurine version, Gejerus, & Michaelis. (a) Vid. Kimchi Sepher Shorash. rad. (b) Origin. l. 6. c. 13. (c) Vid. Kipping. Antiqu. Roman. l. 2. c. 4. p. 554. (d) "Currant verba licet, manus est velociter illis; nondum lingua suum, dextra peregit opus", Martial. Epigr. l. 14. ep. 189. of the origin of shorthand with the Romans, and among us, with other curious things concerning writing, and the matter and instruments of it, see a learned treatise of Mr. Massey's, called, "The Origin and Progress of Letters", p. 144. printed 1763.
"Ancient founts of inspiration well through all my fancy yet."
TENNYSON: Locksley Hall.
A good matter.--That is, a theme worthy a poet's song. Luther: "A fine song."
I speak of the things which I have made touching the king.--This rendering follows the LXX., Vulg., and most of the older translations. Perhaps, however, we are to understand Aquila and Symmachus as rendering "my poems;" and undoubtedly the true rendering is, I am speaking: my poem is of a king (not the king, as in Authorised Version).
My tongue . . .--So lofty a theme, so august a subject, inspires him with thoughts that flow freely. The ready or expeditious scribe (LXX. and Vulg., "A scribe writing quickly") was, as we learn from Ezra 7:6, a recognised form of praise for a distinguished member of that body, one of whose functions was to make copies of the Law.
I speak of the things which I have made touching the King; the King Messiah; the King of the whole world, and of the kings of it, and of the saints in it; over whom he reigns in a spiritual manner, and in righteousness; concerning whom this psalm or poem was composed by David under divine inspiration, and which he here delivers:
my tongue is the pen of a ready writer; or as (z) one; such an one as Ezra was, Ezra 7:6, that writes swiftly and compendiously; suggesting, that as he was; full of matter, he freely communicated it, being moved by the Holy Spirit, who spake by him, and whose word was in his tongue; which made him so ready and expert in this work. The allusion is to scribes and notaries, and such like persons, that are extremely ready and swift in the use of the pen. The word for "pen" is derived either from which signifies "to fly" (a), and from whence is a word used for a "flying fowl"; yet we are not to imagine that here it signifies a pen made of a bird's quill, as now in common use with us: for this did not obtain until many hundred years after David's time. It seems that Isidore of Seville, who lived in the seventh century, is the first person that makes mention of "penna", a "pen", as made of the quill of a bird (b), but rather the pen has its name in Hebrew, if from the above root, from the velocity of it, as in the hand of a ready writer; or rather it may be derived from "to sharpen", in which sense it seems to be used, Ezekiel 21:15; and so a pen has its name from the sharp point of it: for when the ancients wrote, or rather engraved, on stone, brass, lead, and wood, they used a style or pen of iron; see Job 19:24; so when they wrote on tables of wood covered with wax, they used a kind of bodkin made of iron, brass, or bone; See Gill on Habakkuk 2:2; and when upon the rind and leaves of trees, and on papyrus and parchment, they made use of reeds, particularly the Egyptian calamus or reed; and the word here is translated calamus or reed by the Targum, Septuagint, and all the Oriental versions. Now as the Jews had occasion frequently to copy out the book of the law, and other writings of theirs, their scribes, at least some of them, were very expert and dexterous at it; but whether the art of "shorthand" was to any degree in use among them is not certain, as it was in later times among the Romans, when they used marks, signs, and abbreviations, which seems to have laid the foundation of the above art, and had its rise, as is said, from Cicero himself, though some ascribe it to Mecaenas (c): and in Martial's time it was brought to such perfection, that, according to him, the hand could write swifter than a man could speak (d).
(x) "ebullit", Junius & Tremellius, Piscator; so Ainsworth. (y) "Eructavit", V. L. Pagninus, Montanus, Musculus, Munster. (z) So the Targum, Tigurine version, Gejerus, & Michaelis. (a) Vid. Kimchi Sepher Shorash. rad. (b) Origin. l. 6. c. 13. (c) Vid. Kipping. Antiqu. Roman. l. 2. c. 4. p. 554. (d) "Currant verba licet, manus est velociter illis; nondum lingua suum, dextra peregit opus", Martial. Epigr. l. 14. ep. 189. of the origin of shorthand with the Romans, and among us, with other curious things concerning writing, and the matter and instruments of it, see a learned treatise of Mr. Massey's, called, "The Origin and Progress of Letters", p. 144. printed 1763.